Angular Weston silhouette with a wide flared opening.

The pilsner glass for the beer drinker who cares.

Ribbed sides, round stopper, made to leave out.

Mid-century lines, a generous bowl, no stem in sight.

A familiar form made by hand with real intention.

A complete reinterpretation of the martini glass.

A sphere atop a sphere. Bauhaus geometry, committed to.

Golden Ratio proportions, applied to craft beer.

Three tealights. Three distinct handmade techniques.

Squared edges and flat panels. Signed by Simon.

Form follows function in vessel that respects the drink.

White streaks encased inside the glass, not on it.

Golden Ratio proportions, made for everyday use.

The look of cut crystal, achieved in handblown glass.

The one that started it all. Still made the same way.

One twist, while still molten. Never exactly repeated.

The one that started it all. Still made the same way.

Details frozen in winter, flowing in summer.

The Echo Lake technique, now protecting your surface.

Elegant on the table, enduring across years of daily use.

The classic evergreen, reimagined with five sides.

Half clear, half textured, and entirely its own.

Two classic trees, one bubble. A natural trio.

Makes decanting feel like part of the evening.

One twist, while still molten. Never exactly repeated.

The one that started it all. Still made the same way.

The one that started it all. Still made the same way.

Two techniques, one tree. Bubbles and a twist.

Three twisted-stem pumpkins in small, medium, and large.

The classic evergreen, reimagined with five sides.

Flared Weston vase. Part of our Seconds Collection.

For batched drinks worth presenting well.

The spherical stopper sets this decanter apart.

Two cones meeting at the center, sized for two to four.

Fluted glass that does something to candlelight.