Straight sides, modern foot, four sizes to scale.

Named for the detectives. Sized for the drink.

The Madison’s flared silhouette, built for wine.

Fluted like cut crystal, sized for a whiskey pour.

A traditional champagne setup, done properly in glass.

Hand-opened ruffled rim vase. Part of our Seconds Collection.

With a tapered bowl that keeps whites cool and focused.

A balanced, hand-opened wine glass, from Simon's own table.

A flared rim inspired by Paul Revere’s silver bowl.

Wrapped glass vase inspired by Vermont's changing waterways.

Stoneware evergreen with a glaze that shifts at the edges.

A vintage coupe, scaled to a modern 4 oz pour.

The oldest object in the room, done right in glass.

A tulip shape inspired by the traditional Mexican jarrito.

Weighty clear glass formed into a heart shape.

Double-gathered optic glass vase. Each one unique.

Handblown glass globe in a metal base shaped like Vermont's highest peak.

Substantial and versatile, with classic proportions.

Ribbed optic texture, ruffled rim. Built for small blooms.

Structurally precise to concentrate the nose of white wines.

Structurally precise to concentrate the nose of white wines.

An architectural fluted form, scaled for everyday drinks.

Ruffled rim vase that frames a single stem or a small bouquet.

A snow-globe glow from white speckles worked by hand.

A flared rim inspired by Paul Revere’s silver bowl.

Stacked glass spheres, each size one taller than the last.

Square contemporary glass vase. Part of our Seconds Collection.

Hand-opened ruffled rim vase. Part of our Seconds Collection.

Clean-lined Barre vase. Part of our Seconds Collection.

A chevron-patterned Collins glass, blown by hand.

Double-gathered glass that moves like water when lit.

A fine bubble texture, shifting with every flicker.

Wider proportions that work for candles or a trifle.

Angular-yet-fluid rectangular glass vase. Part of our Seconds Collection.

Better grouped. Surprisingly good at this scale.