Straight sides, modern foot, four sizes to scale.

Paul Revere's silver bowl, reimagined in glass.

The Hartland silhouette, in a pair built for the table.

A fine bubble texture, shifting with every flicker.

Curvaceous pottery taper holder with Woodstock's voluminous proportions.

Fluted glass that does something to candlelight.

A snow-globe glow from white speckles worked by hand.

A crystalline glaze that grows its own pattern in the kiln.

Stacked glass spheres, each size one taller than the last.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

Smooth alabaster tealight, made by stonecutters in India.

Double-gathered glass that moves like water when lit.

A flared rim inspired by Paul Revere’s silver bowl.

Fluted glass that does something to candlelight.

A mouthblown tealight inspired by a snowball crushed in hand.

Smooth alabaster holder in Manchester's stacked geometric angles.

A hand-applied twist that catches light from every angle.

Real silver leaf, encased inside the glass.

The oldest object in the room, done right in glass.

Two small hurricanes, ready to give together.

Two freehand hurricanes, each one unlike the other.

Celestial-glazed pottery ring holder. Part of our Seconds Collection.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

A flared rim inspired by Paul Revere’s silver bowl.

Details frozen in winter, flowing in summer.

A crystalline glaze that grows its own pattern in the kiln.

The Nantucket at its most expansive. Signed by Simon.

Wild berry bramble etched onto a cylindrical hurricane.

Details frozen in winter, flowing in summer.

Lit from within, signed by the glassblower’s pontil mark.

Classic pumpkin with a gracefully twisted stem. Available in multiple sizes.

Freehand and fluid. No two are the same.

A snow-globe glow from white speckles worked by hand.

Your wedding invitation, engraved in glass.

Stacked glass spheres, each size one taller than the last.