The Hartland silhouette, in a pair built for the table.

Stacked glass spheres, each size one taller than the last.

Substantial, refined, made by two glassblowers in tandem.

Polished metal taper holder with Woodstock's generous proportions.

A crystalline glaze that grows its own pattern in the kiln.

Made by two master glassblowers working in tandem.

The oldest object in the room, done right in glass.

Freehand and fluid. No two are the same.

Nantucket Hurricane engraved with a forest motif.

Curvaceous pottery taper holder with Woodstock's voluminous proportions.

Essex's rolled rim and classic proportions, scaled into a stemmed hurricane.

Details frozen in winter, flowing in summer.

Nantucket's cylindrical form engraved with a delicate pine motif.

Two-billion-year-old Carelian soapstone taper holder from Finland.

The oldest object in the room, done right in glass.

A crystalline glaze that grows its own pattern in the kiln.

Straight sides, modern foot, four sizes to scale.

Globe-and-stem cakeplate made by two glassblowers in tandem.

Double-gathered glass that moves like water when lit.

Two small Echo Lake Hurricanes, gift boxed and ready.

Better grouped. Surprisingly good at this scale.

Freehand and fluid. No two are the same.

The double-gathered optic effect, at an intimate scale.

The wrapped-glass technique in its most intimate form.

Golden Ratio proportions in a stemmed hurricane. Two ivory candles included.

A mouthblown tealight inspired by a snowball crushed in hand.

A flared rim inspired by Paul Revere’s silver bowl.

Concentric swirls worked into the glass by centrifugal force.

A fine bubble texture, shifting with every flicker.

Details frozen in winter, flowing in summer.

Freehand and fluid. No two are the same.

Wider proportions that work for candles or a trifle.

A treeline etched onto a cylindrical hurricane. Candle included.

Details frozen in winter, flowing in summer.

Three flames, one vessel. The light multiplies.