The classic evergreen, reimagined with five sides.

A sleek, tapered glass with an upsized bowl.

For Old Fashioneds, orange juice, and everything in between.

A flared rim inspired by Paul Revere’s silver bowl.

Form follows function in vessel that respects the drink.

The classic evergreen, reimagined with five sides.

Stoneware evergreen with a glaze that shifts at the edges.

Wrapped glass gather vase. Part of our Seconds Collection.

Designed with CA winemakers specially for red varietals.

Double-gathered glass that moves when lit. Signed by Simon.

Alive with hundreds of hand-worked bubbles.

Mid-century lines, a generous bowl, no stem in sight.

From Simon's private collection, now available to all.

A slender, elegant flute with a hand-applied accent.

The Echo Lake technique, now protecting your surface.

Globe-and-stem dome, made by two glassblowers.

The one that started it all. Still made the same way.

A tulip shape inspired by the traditional Mexican jarrito.

Double-gathered glass that moves like water when lit.

Andrew Pearce's live-edge walnut board, for cutting and serving.

Our bestselling pitcher, built for any occasion.

Feels as good to hold as it looks on the table.

Made by hand on the workshop floor. Organic shape, substantial weight.

Tall, clean-lined, and weighted just right.

Walnut desk organizer designed to nest the Woodbury Phone Holder.

Mid-century lines, a generous bowl, no stem in sight.

Pottery platter with mineral calcite white stripe pattern.

One of Simon's first designs, gives reds room to open up.

Wide-rimmed engravable platter. Part of our Seconds Collection.

Angular-yet-fluid rectangular glass vase. Part of our Seconds Collection.

Hand-turned black walnut salad servers. The grain does the showing off.

Curvaceous pottery taper holder with Woodstock's voluminous proportions.

A chevron-patterned Collins glass, blown by hand.

Hand-opened ruffled rim vase. Part of our Seconds Collection.

Tall, clean-lined, and weighted just right.