A flared rim inspired by Paul Revere’s silver bowl.

Straight sides, modern foot, four sizes to scale.

Nantucket's cylindrical form engraved with a delicate pine motif.

A fine bubble texture, shifting with every flicker.

A flared rim inspired by Paul Revere’s silver bowl.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

Two-billion-year-old Carelian soapstone taper holder from Finland.

Fluted glass that does something to candlelight.

Polished metal taper holder with Woodstock's generous proportions.

Straight sides, modern foot, four sizes to scale.

A crystalline glaze that grows its own pattern in the kiln.

The Ascutney silhouette twisted mid-process, catching light from every angle.

A hand-applied twist that catches light from every angle.

The oldest object in the room, done right in glass.

Fluted glass that does something to candlelight.

A flared rim inspired by Paul Revere’s silver bowl.

Freehand and fluid. No two are the same.

Freehand and fluid. No two are the same.

Smooth alabaster tealight, made by stonecutters in India.

Four stitched leather coasters in a mirror-polished stainless case.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

Polished stainless flatware with a classic squared handle end.

A snow-globe glow from white speckles worked by hand.

Reusable stainless cocktail picks, presented in their own box.

Details frozen in winter, flowing in summer.

Real silver leaf, encased inside the glass.

The wrapped-glass technique in its most intimate form.

A heart with a slight twist. More life than the usual form.

Every arm and texture of a starfish, cast in glass.

Celestial-glazed pottery ring holder. Part of our Seconds Collection.

Perforated aluminum tealight inspired by Boston brownstone windows.

A mouthblown tealight inspired by a snowball crushed in hand.

Two Echo Lake Tealights, gift boxed and ready to cluster.

A snow-globe glow from white speckles worked by hand.

Details frozen in winter, flowing in summer.