A balanced, hand-opened wine glass, from Simon's own table.

With a tapered bowl that keeps whites cool and focused.

Stoneware evergreen with a glaze that shifts at the edges.

A vintage coupe, scaled to a modern 4 oz pour.

Tall, gently tapered, and alive with optic lines.

Weighty clear glass formed into a heart shape.

A tulip shape inspired by the traditional Mexican jarrito.

Handblown glass globe in a metal base shaped like Vermont's highest peak.

Substantial and versatile, with classic proportions.

Ribbed optic texture, ruffled rim. Built for small blooms.

Structurally precise to concentrate the nose of white wines.

Double-gathered optic glass vase. Each one unique.

An architectural fluted form, scaled for everyday drinks.

Ruffled rim vase that frames a single stem or a small bouquet.

A snow-globe glow from white speckles worked by hand.

A flared rim inspired by Paul Revere’s silver bowl.

Stacked glass spheres, each size one taller than the last.

Square contemporary glass vase. Part of our Seconds Collection.

Hand-opened ruffled rim vase. Part of our Seconds Collection.

Clean-lined Barre vase. Part of our Seconds Collection.

A chevron-patterned Collins glass, blown by hand.

Real silver leaf, encased inside the glass.

Double-gathered glass that moves like water when lit.

A fine bubble texture, shifting with every flicker.

Better grouped. Surprisingly good at this scale.

Conical evergreen formed by wrapping glass strands around a center.

Angular-yet-fluid rectangular glass vase. Part of our Seconds Collection.

Square contemporary glass vase. Part of our Seconds Collection.

The classic evergreen, reimagined with five sides.

Freehand and fluid. No two are the same.

Golden Ratio proportions and graceful angles in a handblown hurricane.

Glass and pottery together. Our first mixed material piece.

Freehand and fluid. No two are the same.

A teardrop bud vase in Woodstock’s clean proportions.

The double-gathered optic effect, at an intimate scale.