Wider and lower Nantucket proportions. Signed by Simon.

Bubbled Vela glass with an architectural stand.

Smooth alabaster holder in Manchester's stacked geometric angles.

Straight sides, modern foot, four sizes to scale.

Freehand and fluid. No two are the same.

Globe-and-stem dome made by two glassblowers. Pairs with the Hartland Cakeplate.

Straight sides, modern foot, four sizes to scale.

Lifts the wine's nose and invites conversation.

Made by two master glassblowers working in tandem.

Three textured tealights that refract light like crushed snow. 20% benefits LoveYourBrain.

Fluted glass that does something to candlelight.

The Ascutney silhouette twisted mid-process, catching light from every angle.

Squared pottery taper holder in Cloud glaze.

A hand-applied twist that catches light from every angle.

Details frozen in winter, flowing in summer.

A shell spiral, hand-sculpted and cast into glass.

A flared rim inspired by Paul Revere’s silver bowl.

Two double-gathered tealights, better together.

A snow-globe glow from white speckles worked by hand.

A flared rim inspired by Paul Revere’s silver bowl.

Glass and pottery together. Our first mixed material piece.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

A flared rim inspired by Paul Revere’s silver bowl.

Smooth alabaster tealight, made by stonecutters in India.

Two-billion-year-old Carelian soapstone matchstick holder from Finland.

Fluted glass that does something to candlelight.

A snow-globe glow from white speckles worked by hand.

A flared rim inspired by Paul Revere’s silver bowl.

Fluted glass that does something to candlelight.

Straight sides, modern foot, four sizes to scale.

Handblown glass globe in a metal base shaped like Vermont's highest peak.

A surface that makes light play, not just pass through.

Straight sides, modern foot, four sizes to scale.

Real silver leaf, encased inside the glass.

Three tealights. Three distinct handmade techniques.